Is it all over?

Monday 6 August the pit was opened 24 hours after it was set alight and it worked!

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This is my last creative observation for the camp and a most satisfactory way to leave Coward Springs. I leave soon after, but some of the artists stay for another day (the gale forecast for Backstairs Passage means that Tuesday is not the day to be ferrying home).

I head off to two places I visited about 12 years ago, when I was fortunate to participate in a regional tour to the Flinders Ranges. Back then the state government organised trips by regional people to other regions so they could learn from them about business, community and tourism possibilities. It was a very rewarding experience and many ideas have stayed with me.

The first place I revisited was Old Beltana, a State Heritage town. On the regional trip we’d met young people who had a vision of rebuilding the town, which was almost empty. Now the permanent population is 35, and about 20 houses are inhabited – some are new but most have been restored. It was fantastic to see.

The other was Blinman, a most picturesque town. I stayed at the North Blinman Hotel, an extremely hospitable establishment. And dinner, of meatloaf and mash, was just the ticket.

What a beautiful experience the camp has been. It might seem that all the artists on Kangaroo Island would know each other well but it’s a big island and we are widespread, and all with our own lives to be getting on with. How fortunate we are to have this time to spend getting to know one another and one another’s art practice. It’s a shame more artists couldn’t be squeezed in.

Prue and Greg were the perfect hosts at Coward Springs Campground – so generous, so accommodating, so helpful. It’s been inspiring to be around two people who have transformed a desert ruin into a campground with character, and everything you could want for a stay-over. Thank you so much for everything.

And for anyone heading out on the Oodnadatta Track, call in and stay a night or two. And enjoy.

Island to Outback is supported by the Australian Government’s Regional Arts Fund through Country Arts SA

 

 

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